Wan 2.6

“Create a caricature of me and my job. Make it exaggerated and humorous, incorporating my profession as a tv show anchor and my love for dogs and hockey.”

“Create a clear, 45° top-down isometric miniature 3D cartoon scene of Japan's signature dish: sushi, with soft refined textures, realistic PBR materials, gentle lighting, on a small raised diorama base with minimal garnish and plate. Solid light blue background. At top-center: 'JAPAN' in large bold text, 'SUSHI' below it, small flag icon. Perfectly centered, ultra-clean, high-clarity, square format.”

“Photorealistic scene inside a yellow New York taxi at night. A capybara is driving, wearing a yellow taxi driver cap and a dark jacket. It has a calm, professional expression and both front paws on the steering wheel. In the back seat sits a human businesswoman in a coat, looking at her phone with a completely normal, bored expression (as if this is just another normal ride). Through the windows you can see the streets of Manhattan at night with blurred lights. Realistic taxi interior, photorealistic, detailed fur and fabric, 35mm lens, night lighting with reflections, shallow depth of field.”

“Handwritten-style chalkboard menu in a cozy café, all text rendered in the exact same realistic chalk handwriting style with natural variations in letter size, slight slant, and chalk texture — no printed or digital fonts anywhere on the board. Title at the top in elegant cursive chalk handwriting: ‘TODAY’S SPECIALS – APRIL 30, 2026’. Below it, three menu items also in the same handwritten chalk style: ‘Truffle Mushroom Risotto – $24’, ‘Grilled Octopus with Lemon & Herbs – $28’, ‘Brown Butter Chocolate Chip Cookies – $9’. At the very bottom, smaller text in the identical handwritten chalk style (slightly smaller but still clearly legible with the same handwriting characteristics): ‘All items made fresh daily • Ask about our gluten-free options’. Warm ambient café lighting, visible chalk dust and smudges, realistic handwriting imperfections, no clean printed text anywhere.”

“Modern minimalist restaurant menu design, white background with colorful food photos in grid, sections for appetizers/pizza/mains, bold sans-serif fonts, vibrant accents, clean professional layout for casual dining.”

“Create a clean, modern vector infographic poster about the Apollo 11 mission. NASA-inspired palette (navy, white, muted red, light gray). Flat-vector style, crisp lines, consistent iconography, subtle gradients only. Steps (stop at landing): 1. Launch (Saturn Vicon) 2. Earth Orbit (Earth + orbit ring icon) 3. Translunar (trajectory arc icon) 4. Lunar Orbit (Moon + orbit ring icon) 5. Descent (lunar module descending icon) 6. Landing (lunar module on the surface icon) Small supporting elements (minimal text): • Crew strip: three silhouette icons with only last names: Armstrong, Aldrin, Collins. • Landing site marker: Moon pin labeled "Tranquility" only. Layout constraints: generous margins, large readable labels, clean background with subtle stars. Vector-only, print-poster look, high resolution.”

“A medium shot of Will Smith sitting at a cozy, dimly lit Italian restaurant, twirling a forkful of spaghetti with a playful grin on his face. The camera slowly dollies in as he takes a bite, capturing the rich, steaming sauce. Warm candlelight, cinematic lighting, hyperrealistic, 4K. Smooth motion, consistent face, detailed hands, natural spaghetti physics.”

“Add dynamic motion to this photo: make hair blow in the wind, add leaves flying, energetic and lively feel.”

“Make a photo of the man driving the car down the California coastline”

“Transform this photo into a Studio Ghibli–inspired illustration. Use soft pastel colors, hand-painted textures, gentle lighting, dreamy backgrounds, and a warm, nostalgic mood”

“Ultra-realistic celebrity arrival scene in New York City, filmed as one continuous handheld shot from inside a dense crowd behind barricades. Documentary realism, natural micro-shake, no cuts, no artificial camera moves. Use the subject from the reference image as the main character. Keep face identity highly consistent across all frames. The outfit must match the reference image exactly. The subject should appear calm and controlled, with a subtle confident smile. Nighttime outside a fancy hotel. Lighting comes from street lights, hotel entrance lights, media flashes, phone screens, and reflections on polished cars and glass. Soft realistic shadows and slight atmospheric haze. Natural environment audio only: loud crowd cheering, overlapping voices, shouting fans, camera shutter clicks, phones recording, distant city noise, footsteps, fabric movement, and security activity. Scene flow: The camera begins inside the crowd, partially blocked by heads, raised phones, waving hands, and phone screens. The crowd is chaotic and excited. The camera lifts slightly above shoulder level. Focus shifts naturally between the crowd and the hotel entrance. The subject exits the hotel in the distance as camera flashes go off. Security pushes the crowd back, causing natural camera shake. Through gaps in the crowd, the subject becomes visible, first soft and partially obscured, then clearer as he walks forward with a small escort team. The subject walks up to a fan and signs a printed photo of himself from the reference image. The camera pushes in naturally, not digitally. The subject is now clearly visible near center frame. He walks confidently, raises one hand, and gives a calm wave with a slight smile while the camera struggles to keep him framed. A convoy of three large premium SUVs appears by the curb. Security opens the back door of the middle black Suburban. The subject enters quickly, rolls the window down, and waves to the crowd as the vehicles begin moving away. The crowd jumps, cheers, and records the moment on their phones.”

“Create a clear, 45° top-down isometric miniature 3D cartoon scene of Japan's signature dish: sushi, with soft refined textures, realistic PBR materials, gentle lighting, on a small raised diorama base with minimal garnish and plate. Solid light blue background. At top-center: 'JAPAN' in large bold text, 'SUSHI' below it, small flag icon. Perfectly centered, ultra-clean, high-clarity, square format.”

“Photorealistic scene inside a yellow New York taxi at night. A capybara is driving, wearing a yellow taxi driver cap and a dark jacket. It has a calm, professional expression and both front paws on the steering wheel. In the back seat sits a human businesswoman in a coat, looking at her phone with a completely normal, bored expression (as if this is just another normal ride). Through the windows you can see the streets of Manhattan at night with blurred lights. Realistic taxi interior, photorealistic, detailed fur and fabric, 35mm lens, night lighting with reflections, shallow depth of field.”

“Modern minimalist restaurant menu design, white background with colorful food photos in grid, sections for appetizers/pizza/mains, bold sans-serif fonts, vibrant accents, clean professional layout for casual dining.”

“Vintage minimalist restaurant logo for "Caffè Florian", retro cloche dome with steam and "Est. 1720" banner, classic typography, warm brown and cream tones, subtle texture on light background, vector emblem style.”

“Create a clear, 45° top-down isometric miniature 3D cartoon scene of Japan's signature dish: sushi, with soft refined textures, realistic PBR materials, gentle lighting, on a small raised diorama base with minimal garnish and plate. Solid light blue background. At top-center: 'JAPAN' in large bold text, 'SUSHI' below it, small flag icon. Perfectly centered, ultra-clean, high-clarity, square format.”

“Vintage minimalist restaurant logo for "Caffè Florian", retro cloche dome with steam and "Est. 1720" banner, classic typography, warm brown and cream tones, subtle texture on light background, vector emblem style.”

“Create a clean, modern vector infographic poster about the Apollo 11 mission. NASA-inspired palette (navy, white, muted red, light gray). Flat-vector style, crisp lines, consistent iconography, subtle gradients only. Steps (stop at landing): 1. Launch (Saturn Vicon) 2. Earth Orbit (Earth + orbit ring icon) 3. Translunar (trajectory arc icon) 4. Lunar Orbit (Moon + orbit ring icon) 5. Descent (lunar module descending icon) 6. Landing (lunar module on the surface icon) Small supporting elements (minimal text): • Crew strip: three silhouette icons with only last names: Armstrong, Aldrin, Collins. • Landing site marker: Moon pin labeled "Tranquility" only. Layout constraints: generous margins, large readable labels, clean background with subtle stars. Vector-only, print-poster look, high resolution.”

“Transform this photo into a Studio Ghibli–inspired illustration. Use soft pastel colors, hand-painted textures, gentle lighting, dreamy backgrounds, and a warm, nostalgic mood”

“Create a caricature of me and my job. Make it exaggerated and humorous, incorporating my profession as a tv show anchor and my love for dogs and hockey.”

“Add dynamic motion to this photo: make hair blow in the wind, add leaves flying, energetic and lively feel.”

“Make a photo of the man driving the car down the California coastline”

“Give the person a full, thick head of natural hair with realistic texture, density, and a natural hairline. Preserve facial features and lighting.”

“Ultra-realistic celebrity arrival scene in New York City, filmed as one continuous handheld shot from inside a dense crowd behind barricades. Documentary realism, natural micro-shake, no cuts, no artificial camera moves. Use the subject from the reference image as the main character. Keep face identity highly consistent across all frames. The outfit must match the reference image exactly. The subject should appear calm and controlled, with a subtle confident smile. Nighttime outside a fancy hotel. Lighting comes from street lights, hotel entrance lights, media flashes, phone screens, and reflections on polished cars and glass. Soft realistic shadows and slight atmospheric haze. Natural environment audio only: loud crowd cheering, overlapping voices, shouting fans, camera shutter clicks, phones recording, distant city noise, footsteps, fabric movement, and security activity. Scene flow: The camera begins inside the crowd, partially blocked by heads, raised phones, waving hands, and phone screens. The crowd is chaotic and excited. The camera lifts slightly above shoulder level. Focus shifts naturally between the crowd and the hotel entrance. The subject exits the hotel in the distance as camera flashes go off. Security pushes the crowd back, causing natural camera shake. Through gaps in the crowd, the subject becomes visible, first soft and partially obscured, then clearer as he walks forward with a small escort team. The subject walks up to a fan and signs a printed photo of himself from the reference image. The camera pushes in naturally, not digitally. The subject is now clearly visible near center frame. He walks confidently, raises one hand, and gives a calm wave with a slight smile while the camera struggles to keep him framed. A convoy of three large premium SUVs appears by the curb. Security opens the back door of the middle black Suburban. The subject enters quickly, rolls the window down, and waves to the crowd as the vehicles begin moving away. The crowd jumps, cheers, and records the moment on their phones.”

“Photorealistic scene inside a yellow New York taxi at night. A capybara is driving, wearing a yellow taxi driver cap and a dark jacket. It has a calm, professional expression and both front paws on the steering wheel. In the back seat sits a human businesswoman in a coat, looking at her phone with a completely normal, bored expression (as if this is just another normal ride). Through the windows you can see the streets of Manhattan at night with blurred lights. Realistic taxi interior, photorealistic, detailed fur and fabric, 35mm lens, night lighting with reflections, shallow depth of field.”

“Handwritten-style chalkboard menu in a cozy café, all text rendered in the exact same realistic chalk handwriting style with natural variations in letter size, slight slant, and chalk texture — no printed or digital fonts anywhere on the board. Title at the top in elegant cursive chalk handwriting: ‘TODAY’S SPECIALS – APRIL 30, 2026’. Below it, three menu items also in the same handwritten chalk style: ‘Truffle Mushroom Risotto – $24’, ‘Grilled Octopus with Lemon & Herbs – $28’, ‘Brown Butter Chocolate Chip Cookies – $9’. At the very bottom, smaller text in the identical handwritten chalk style (slightly smaller but still clearly legible with the same handwriting characteristics): ‘All items made fresh daily • Ask about our gluten-free options’. Warm ambient café lighting, visible chalk dust and smudges, realistic handwriting imperfections, no clean printed text anywhere.”

“A medium shot of Will Smith sitting at a cozy, dimly lit Italian restaurant, twirling a forkful of spaghetti with a playful grin on his face. The camera slowly dollies in as he takes a bite, capturing the rich, steaming sauce. Warm candlelight, cinematic lighting, hyperrealistic, 4K. Smooth motion, consistent face, detailed hands, natural spaghetti physics.”

“Ultra-realistic celebrity arrival scene in New York City, filmed as one continuous handheld shot from inside a dense crowd behind barricades. Documentary realism, natural micro-shake, no cuts, no artificial camera moves. Use the subject from the reference image as the main character. Keep face identity highly consistent across all frames. The outfit must match the reference image exactly. The subject should appear calm and controlled, with a subtle confident smile. Nighttime outside a fancy hotel. Lighting comes from street lights, hotel entrance lights, media flashes, phone screens, and reflections on polished cars and glass. Soft realistic shadows and slight atmospheric haze. Natural environment audio only: loud crowd cheering, overlapping voices, shouting fans, camera shutter clicks, phones recording, distant city noise, footsteps, fabric movement, and security activity. Scene flow: The camera begins inside the crowd, partially blocked by heads, raised phones, waving hands, and phone screens. The crowd is chaotic and excited. The camera lifts slightly above shoulder level. Focus shifts naturally between the crowd and the hotel entrance. The subject exits the hotel in the distance as camera flashes go off. Security pushes the crowd back, causing natural camera shake. Through gaps in the crowd, the subject becomes visible, first soft and partially obscured, then clearer as he walks forward with a small escort team. The subject walks up to a fan and signs a printed photo of himself from the reference image. The camera pushes in naturally, not digitally. The subject is now clearly visible near center frame. He walks confidently, raises one hand, and gives a calm wave with a slight smile while the camera struggles to keep him framed. A convoy of three large premium SUVs appears by the curb. Security opens the back door of the middle black Suburban. The subject enters quickly, rolls the window down, and waves to the crowd as the vehicles begin moving away. The crowd jumps, cheers, and records the moment on their phones.”

“A medium shot of Will Smith sitting at a cozy, dimly lit Italian restaurant, twirling a forkful of spaghetti with a playful grin on his face. The camera slowly dollies in as he takes a bite, capturing the rich, steaming sauce. Warm candlelight, cinematic lighting, hyperrealistic, 4K. Smooth motion, consistent face, detailed hands, natural spaghetti physics.”

“Create a clear, 45° top-down isometric miniature 3D cartoon scene of Japan's signature dish: sushi, with soft refined textures, realistic PBR materials, gentle lighting, on a small raised diorama base with minimal garnish and plate. Solid light blue background. At top-center: 'JAPAN' in large bold text, 'SUSHI' below it, small flag icon. Perfectly centered, ultra-clean, high-clarity, square format.”

“Handwritten-style chalkboard menu in a cozy café, all text rendered in the exact same realistic chalk handwriting style with natural variations in letter size, slight slant, and chalk texture — no printed or digital fonts anywhere on the board. Title at the top in elegant cursive chalk handwriting: ‘TODAY’S SPECIALS – APRIL 30, 2026’. Below it, three menu items also in the same handwritten chalk style: ‘Truffle Mushroom Risotto – $24’, ‘Grilled Octopus with Lemon & Herbs – $28’, ‘Brown Butter Chocolate Chip Cookies – $9’. At the very bottom, smaller text in the identical handwritten chalk style (slightly smaller but still clearly legible with the same handwriting characteristics): ‘All items made fresh daily • Ask about our gluten-free options’. Warm ambient café lighting, visible chalk dust and smudges, realistic handwriting imperfections, no clean printed text anywhere.”

“Modern minimalist restaurant menu design, white background with colorful food photos in grid, sections for appetizers/pizza/mains, bold sans-serif fonts, vibrant accents, clean professional layout for casual dining.”

“Vintage minimalist restaurant logo for "Caffè Florian", retro cloche dome with steam and "Est. 1720" banner, classic typography, warm brown and cream tones, subtle texture on light background, vector emblem style.”

“Create a clean, modern vector infographic poster about the Apollo 11 mission. NASA-inspired palette (navy, white, muted red, light gray). Flat-vector style, crisp lines, consistent iconography, subtle gradients only. Steps (stop at landing): 1. Launch (Saturn Vicon) 2. Earth Orbit (Earth + orbit ring icon) 3. Translunar (trajectory arc icon) 4. Lunar Orbit (Moon + orbit ring icon) 5. Descent (lunar module descending icon) 6. Landing (lunar module on the surface icon) Small supporting elements (minimal text): • Crew strip: three silhouette icons with only last names: Armstrong, Aldrin, Collins. • Landing site marker: Moon pin labeled "Tranquility" only. Layout constraints: generous margins, large readable labels, clean background with subtle stars. Vector-only, print-poster look, high resolution.”

“Add dynamic motion to this photo: make hair blow in the wind, add leaves flying, energetic and lively feel.”

“Make a photo of the man driving the car down the California coastline”

“Transform this photo into a Studio Ghibli–inspired illustration. Use soft pastel colors, hand-painted textures, gentle lighting, dreamy backgrounds, and a warm, nostalgic mood”

“Give the person a full, thick head of natural hair with realistic texture, density, and a natural hairline. Preserve facial features and lighting.”

“Create a caricature of me and my job. Make it exaggerated and humorous, incorporating my profession as a tv show anchor and my love for dogs and hockey.”

“A medium shot of Will Smith sitting at a cozy, dimly lit Italian restaurant, twirling a forkful of spaghetti with a playful grin on his face. The camera slowly dollies in as he takes a bite, capturing the rich, steaming sauce. Warm candlelight, cinematic lighting, hyperrealistic, 4K. Smooth motion, consistent face, detailed hands, natural spaghetti physics.”

“Make a photo of the man driving the car down the California coastline”

“Ultra-realistic celebrity arrival scene in New York City, filmed as one continuous handheld shot from inside a dense crowd behind barricades. Documentary realism, natural micro-shake, no cuts, no artificial camera moves. Use the subject from the reference image as the main character. Keep face identity highly consistent across all frames. The outfit must match the reference image exactly. The subject should appear calm and controlled, with a subtle confident smile. Nighttime outside a fancy hotel. Lighting comes from street lights, hotel entrance lights, media flashes, phone screens, and reflections on polished cars and glass. Soft realistic shadows and slight atmospheric haze. Natural environment audio only: loud crowd cheering, overlapping voices, shouting fans, camera shutter clicks, phones recording, distant city noise, footsteps, fabric movement, and security activity. Scene flow: The camera begins inside the crowd, partially blocked by heads, raised phones, waving hands, and phone screens. The crowd is chaotic and excited. The camera lifts slightly above shoulder level. Focus shifts naturally between the crowd and the hotel entrance. The subject exits the hotel in the distance as camera flashes go off. Security pushes the crowd back, causing natural camera shake. Through gaps in the crowd, the subject becomes visible, first soft and partially obscured, then clearer as he walks forward with a small escort team. The subject walks up to a fan and signs a printed photo of himself from the reference image. The camera pushes in naturally, not digitally. The subject is now clearly visible near center frame. He walks confidently, raises one hand, and gives a calm wave with a slight smile while the camera struggles to keep him framed. A convoy of three large premium SUVs appears by the curb. Security opens the back door of the middle black Suburban. The subject enters quickly, rolls the window down, and waves to the crowd as the vehicles begin moving away. The crowd jumps, cheers, and records the moment on their phones.”

“Make a photo of the man driving the car down the California coastline”

“Ultra-realistic celebrity arrival scene in New York City, filmed as one continuous handheld shot from inside a dense crowd behind barricades. Documentary realism, natural micro-shake, no cuts, no artificial camera moves. Use the subject from the reference image as the main character. Keep face identity highly consistent across all frames. The outfit must match the reference image exactly. The subject should appear calm and controlled, with a subtle confident smile. Nighttime outside a fancy hotel. Lighting comes from street lights, hotel entrance lights, media flashes, phone screens, and reflections on polished cars and glass. Soft realistic shadows and slight atmospheric haze. Natural environment audio only: loud crowd cheering, overlapping voices, shouting fans, camera shutter clicks, phones recording, distant city noise, footsteps, fabric movement, and security activity. Scene flow: The camera begins inside the crowd, partially blocked by heads, raised phones, waving hands, and phone screens. The crowd is chaotic and excited. The camera lifts slightly above shoulder level. Focus shifts naturally between the crowd and the hotel entrance. The subject exits the hotel in the distance as camera flashes go off. Security pushes the crowd back, causing natural camera shake. Through gaps in the crowd, the subject becomes visible, first soft and partially obscured, then clearer as he walks forward with a small escort team. The subject walks up to a fan and signs a printed photo of himself from the reference image. The camera pushes in naturally, not digitally. The subject is now clearly visible near center frame. He walks confidently, raises one hand, and gives a calm wave with a slight smile while the camera struggles to keep him framed. A convoy of three large premium SUVs appears by the curb. Security opens the back door of the middle black Suburban. The subject enters quickly, rolls the window down, and waves to the crowd as the vehicles begin moving away. The crowd jumps, cheers, and records the moment on their phones.”

“Add dynamic motion to this photo: make hair blow in the wind, add leaves flying, energetic and lively feel.”

“Make a photo of the man driving the car down the California coastline”

“Give the person a full, thick head of natural hair with realistic texture, density, and a natural hairline. Preserve facial features and lighting.”

“Ultra-realistic celebrity arrival scene in New York City, filmed as one continuous handheld shot from inside a dense crowd behind barricades. Documentary realism, natural micro-shake, no cuts, no artificial camera moves. Use the subject from the reference image as the main character. Keep face identity highly consistent across all frames. The outfit must match the reference image exactly. The subject should appear calm and controlled, with a subtle confident smile. Nighttime outside a fancy hotel. Lighting comes from street lights, hotel entrance lights, media flashes, phone screens, and reflections on polished cars and glass. Soft realistic shadows and slight atmospheric haze. Natural environment audio only: loud crowd cheering, overlapping voices, shouting fans, camera shutter clicks, phones recording, distant city noise, footsteps, fabric movement, and security activity. Scene flow: The camera begins inside the crowd, partially blocked by heads, raised phones, waving hands, and phone screens. The crowd is chaotic and excited. The camera lifts slightly above shoulder level. Focus shifts naturally between the crowd and the hotel entrance. The subject exits the hotel in the distance as camera flashes go off. Security pushes the crowd back, causing natural camera shake. Through gaps in the crowd, the subject becomes visible, first soft and partially obscured, then clearer as he walks forward with a small escort team. The subject walks up to a fan and signs a printed photo of himself from the reference image. The camera pushes in naturally, not digitally. The subject is now clearly visible near center frame. He walks confidently, raises one hand, and gives a calm wave with a slight smile while the camera struggles to keep him framed. A convoy of three large premium SUVs appears by the curb. Security opens the back door of the middle black Suburban. The subject enters quickly, rolls the window down, and waves to the crowd as the vehicles begin moving away. The crowd jumps, cheers, and records the moment on their phones.”

“Give the person a full, thick head of natural hair with realistic texture, density, and a natural hairline. Preserve facial features and lighting.”

“Create a caricature of me and my job. Make it exaggerated and humorous, incorporating my profession as a tv show anchor and my love for dogs and hockey.”

“Handwritten-style chalkboard menu in a cozy café, all text rendered in the exact same realistic chalk handwriting style with natural variations in letter size, slight slant, and chalk texture — no printed or digital fonts anywhere on the board. Title at the top in elegant cursive chalk handwriting: ‘TODAY’S SPECIALS – APRIL 30, 2026’. Below it, three menu items also in the same handwritten chalk style: ‘Truffle Mushroom Risotto – $24’, ‘Grilled Octopus with Lemon & Herbs – $28’, ‘Brown Butter Chocolate Chip Cookies – $9’. At the very bottom, smaller text in the identical handwritten chalk style (slightly smaller but still clearly legible with the same handwriting characteristics): ‘All items made fresh daily • Ask about our gluten-free options’. Warm ambient café lighting, visible chalk dust and smudges, realistic handwriting imperfections, no clean printed text anywhere.”

“Modern minimalist restaurant menu design, white background with colorful food photos in grid, sections for appetizers/pizza/mains, bold sans-serif fonts, vibrant accents, clean professional layout for casual dining.”

“Vintage minimalist restaurant logo for "Caffè Florian", retro cloche dome with steam and "Est. 1720" banner, classic typography, warm brown and cream tones, subtle texture on light background, vector emblem style.”

“Create a clean, modern vector infographic poster about the Apollo 11 mission. NASA-inspired palette (navy, white, muted red, light gray). Flat-vector style, crisp lines, consistent iconography, subtle gradients only. Steps (stop at landing): 1. Launch (Saturn Vicon) 2. Earth Orbit (Earth + orbit ring icon) 3. Translunar (trajectory arc icon) 4. Lunar Orbit (Moon + orbit ring icon) 5. Descent (lunar module descending icon) 6. Landing (lunar module on the surface icon) Small supporting elements (minimal text): • Crew strip: three silhouette icons with only last names: Armstrong, Aldrin, Collins. • Landing site marker: Moon pin labeled "Tranquility" only. Layout constraints: generous margins, large readable labels, clean background with subtle stars. Vector-only, print-poster look, high resolution.”

“Create a clear, 45° top-down isometric miniature 3D cartoon scene of Japan's signature dish: sushi, with soft refined textures, realistic PBR materials, gentle lighting, on a small raised diorama base with minimal garnish and plate. Solid light blue background. At top-center: 'JAPAN' in large bold text, 'SUSHI' below it, small flag icon. Perfectly centered, ultra-clean, high-clarity, square format.”

“Add dynamic motion to this photo: make hair blow in the wind, add leaves flying, energetic and lively feel.”

“Transform this photo into a Studio Ghibli–inspired illustration. Use soft pastel colors, hand-painted textures, gentle lighting, dreamy backgrounds, and a warm, nostalgic mood”

“Create a caricature of me and my job. Make it exaggerated and humorous, incorporating my profession as a tv show anchor and my love for dogs and hockey.”

“Ultra-realistic celebrity arrival scene in New York City, filmed as one continuous handheld shot from inside a dense crowd behind barricades. Documentary realism, natural micro-shake, no cuts, no artificial camera moves. Use the subject from the reference image as the main character. Keep face identity highly consistent across all frames. The outfit must match the reference image exactly. The subject should appear calm and controlled, with a subtle confident smile. Nighttime outside a fancy hotel. Lighting comes from street lights, hotel entrance lights, media flashes, phone screens, and reflections on polished cars and glass. Soft realistic shadows and slight atmospheric haze. Natural environment audio only: loud crowd cheering, overlapping voices, shouting fans, camera shutter clicks, phones recording, distant city noise, footsteps, fabric movement, and security activity. Scene flow: The camera begins inside the crowd, partially blocked by heads, raised phones, waving hands, and phone screens. The crowd is chaotic and excited. The camera lifts slightly above shoulder level. Focus shifts naturally between the crowd and the hotel entrance. The subject exits the hotel in the distance as camera flashes go off. Security pushes the crowd back, causing natural camera shake. Through gaps in the crowd, the subject becomes visible, first soft and partially obscured, then clearer as he walks forward with a small escort team. The subject walks up to a fan and signs a printed photo of himself from the reference image. The camera pushes in naturally, not digitally. The subject is now clearly visible near center frame. He walks confidently, raises one hand, and gives a calm wave with a slight smile while the camera struggles to keep him framed. A convoy of three large premium SUVs appears by the curb. Security opens the back door of the middle black Suburban. The subject enters quickly, rolls the window down, and waves to the crowd as the vehicles begin moving away. The crowd jumps, cheers, and records the moment on their phones.”